Tara Nicole Hughes on How The Little Mermaid Brings Dance Under the Sea
by .

Bringing Disney’s animated classics to live-action life has taken more than a dusting of pixie dust over the years. The latest adaptation, The Little Mermaid, may be the most extravagant yet: It features a star-studded cast that includes Halle Bailey (Ariel), Daveed Diggs (Sebastian), and Melissa McCarthy (Ursula). But the finished product has been a long time coming. After the pandemic forced a seven-month abandon-ship in the middle of shooting, the film will finally hit theaters on May 26.
Director Rob Marshall tasked choreographer Joey Pizzi and co-choreographer Tara Nicole Hughes with creating movement for sea creatures and humans alike. Hughes—who’s also made her mark on the dance-forward films Chicago, Burlesque, and Mary Poppins Returns—talked about the process of bringing The Little Mermaid’s dancing into the deep end.

When did you come onboard The Little Mermaid?
I joined the creative team in May of 2019. Our first task was to discover which marine animals would best lend themselves to movement, specifically for the film’s biggest number, “Under the Sea.” We went through an entire casting process to choose our main sea creatures. They ended up including feather stars, ribbon eels, sea turtles, and even a mimic octopus.
What else inspired your choreography?
The original film’s Caribbean setting and music were definitely driving forces, as well as observing the sea creatures’ natural movement. For instance, when they’re swimming, feather stars look like showgirls, so that’s what they became in “Under the Sea,” dancing around Halle. The underwater world is already dancing—we just don’t normally see it.
How did that then translate to animation?
Rob had the brilliant idea to bring 16 dancers from Alvin Ailey American Dance Theater to set “Under the Sea.” We used multiple 360-degree cameras to capture every angle of the dancers’ movement. That became the framework for the visual-effects artists to use for the sea creatures.
What was the approach to scenes that took place in or under water?
If a water scene involved anything above the waterline, we shot it in the water as normal. We shot all of the underwater scenes with a technique called “dry for wet,” which is a full blue-screen environment. Every single frame had to be choreographed or staged—not just the dance sequences. The actors used different kinds of rigs to simulate swimming, which required an entire stunt team to operate. Everyone had to know exactly what was supposed to happen on each count of music. We had to rehearse everything almost as much as a stage show, because there couldn’t be any surprises on filming day.
How did the cast handle those challenges?
Halle has such a natural grace about her and she was great in the water. It was more about building strength, learning the choreography, and getting used to the rigs. And Melissa, she’s fearless. She wanted to slide down Ursula’s clamshell right away and swim all over her lair. Everybody had to put in work, of course, but the whole cast was so naturally skilled that it made our jobs easier.
You’ve worked with Rob Marshall for a long time. How has that relationship evolved?
Joey, Rob, and I have worked together since my first project in 1996, which is hard to believe. Because of our history, we understand each other. Rob always has a clear vision, and he’s a master communicator, so we just follow his beacon of light. He also has a way of attracting the very best casts.
What were your biggest takeaways from this project?
With such huge technical challenges, you just have to stay the course. Every frame had blood, sweat, and tears poured into it, but all you see onscreen is joy, elegance, and love, which means we did our jobs well.
The post Tara Nicole Hughes on How The Little Mermaid Brings Dance Under the Sea appeared first on Dance Magazine.
Bringing Disney’s animated classics to live-action life has taken more than a dusting of pixie dust over the years. The latest adaptation, The Little Mermaid, may be the most extravagant yet: It features a star-studded cast that includes Halle Bailey (Ariel), Daveed Diggs (Sebastian), and Melissa McCarthy (Ursula). But the finished product has been a…
Recent Posts
- Trans Artist and Activist Sean Dorsey on How Dance Can Meet This Political Moment
- Hip-Hop Dance Theater Company Boy Blue Is Bringing London Energy to New York City
- Meet Radha Varadan, the Kathak Dancer Reinterpreting Classic Ballet Variations
- Suzie Toot on Bringing Tap to the “RuPaul’s Drag Race” Stage
- Ashley Bouder on the Ballets That Have Defined Her Career
Archives
- April 2025
- March 2025
- February 2025
- January 2025
- December 2024
- November 2024
- October 2024
- September 2024
- August 2024
- July 2024
- May 2024
- April 2024
- March 2024
- February 2024
- January 2024
- December 2023
- November 2023
- October 2023
- September 2023
- July 2023
- June 2023
- May 2023
- April 2023
- March 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- May 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- June 2019
- December 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- December 2014
- November 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014