Category: Pop Culture

Suzie Toot on Bringing Tap to the “RuPaul’s Drag Race” Stage

In the season premiere of “RuPaul’s Drag Race” Season 17, Suzie Toot wowed the judges, her fellow contestants, and viewers with a tap routine that proved she has serious dance chops. Her side-splitting Morse code interpretation of the Gettysburg Address secured her the season’s first win, and unleashed a wave of new fans. Ms. Toot—born…

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Obsessed with Light’s Co-Directors on Loïe Fuller’s Return to the Screen

The documentary film Obsessed with Light explores the innovative choreographer Loïe Fuller’s life—and her impact on dance, technology, fashion, and the nature of celebrity. Co-directed by Sabine Krayenbühl and Zeva Oelbaum, it had its world premiere at the Rome Film Festival in October of 2023, and has since been screened at festivals worldwide. Krayenbühl and…

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Dancer Diary: Pro Dancers React to Step Up

In the video series Dancer Diary, Haley Hilton chronicles her life as a dancer in New York City. Here, Hilton and her friend Libby Lloyd, a dancer on Broadway, rewatch the cult classic film Step Up. For more Dancer Diary videos, visit Dance Magazine’s YouTube channel. The post Dancer Diary: Pro Dancers React to Step Up appeared first on Dance Magazine.

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Choreographer Damien Jalet on How Netflix’s Emilia Pérez Uses Dance as a “Tool for Resistance”

On the surface, Netflix’s new film Emilia Pérez doesn’t sound like a natural fit for dance: The plot follows a violent drug cartel leader in Mexico who hires a lawyer to help plan a faux death in order to start a new life as a woman. Yet Damien Jalet’s choreography plays a major role in…

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How Majorette Dance Became a Mainstream Phenomenon

At historically Black colleges and universities in the American South, the real stars of any football game are the majorettes. Their signature dance style, created by Black women and femmes, has attracted a cultlike following. It’s all about no-holds-barred spectacle, combining the precision of a kick line with the winking sensuality of burlesque, boldly embodying…

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“Playground” Star Dexter Carr on When Dance Gets the Reality Show Treatment

The new Hulu reality series “Playground,” with Megan Thee Stallion as an executive producer, is equal parts dancing and drama. The show’s namesake is Playground LA, the Los Angeles dance studio owned by Kenny Wormald and Robin Antin that serves as a frequent backdrop for viral class videos. “Playground” follows a group of the studio’s…

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ESPN+ Series Takes Viewers Inside a Mark Morris Dance Group Audition

Up to four company spots available. Two days of open classes. 380 hopeful dancers. These are the stakes laid out at the start of the fifth episode of the new ESPN+ series “Tryouts,” which takes viewers inside the pressure-cooker environment of a Mark Morris Dance Group audition. The series, which premiered last month, tracks some…

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What Real Dancers Think of Balletcore

Whether you like it, loathe it, or roll your eyes at it, you can’t miss it: Ballet-inspired clothing for the nondancing consumer is everywhere. The fashion and ballet worlds have a long and storied relationship, but ballet-aesthetic streetwear’s recent resurgence in popularity has been striking. According to fashion insiders, “balletcore” is already a defining trend…

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The Most Memorable Dance Moments From the 2024 Academy Awards

2024 was a big year for dance at the Oscars, including a history-making performance, a heart-pumping ensemble number, and a surprise addition to the “In Memoriam” segment. We’re still rooting for a “Best Choreography” category as dance continues to be an integral part to each year’s nominated films. But until then, we still enjoy seeing…

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The Best Dance in This Year’s Oscar-Nominated Films

With the 96th Academy Awards coming our way on March 10, we’re taking a moment to acknowledge the most prominent dance in the films nominated for Oscars this year, as well as those movies’ choreographers. The Oscars and dancemakers don’t have the easiest relationship. Although many of the films nominated inevitably include dancing, there’s no…

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